主演：市川雷蔵,寿美花代,中村玉緒,若尾文子
导演：森一生
简介：「週刊文春」連載の川口松太郎の同名小説を「美少年変化竜の岬の決闘」の八尋不二が脚色、「怪談蚊喰鳥」のコンビ、森一生が監督、本多省三が撮影した王朝もの。帝の寵を一身に集めた桐壷は光源氏を生み落して間もなく亡くなった。宮の女性の憧れの的となった光源氏は、時の権力者左大臣の娘葵の上を正妻に迎え前途洋々たるものがあった。その源氏の前に、母と瓜二つという藤壷が現れた。父帝のおもい者と知りながら源氏の心は燃えた。それを知って従者惟光は藤壷付きの王命婦をそそのかして源氏を藤壷の几帖の中に忍びこませた。源氏の甘い抱擁にわれを忘れた藤壷であったが、罪の苛責に戦いた。帝の寵を藤壷に奪われて面白くない弘徽殿の女御は、兄の右大臣と藤壷の失脚をはかった。この叔母と父の企みを近く東宮の妃にあがる朧月夜が耳にしていた。朧月夜は、藤壷の館に忍ぶ源氏を追って強引にも几帖の中に引き入れ、惜し気もなくやわ肌を与えその耳に藤壷に近づくなと忠告した。やがて藤壷は玉のような皇子を誕生した。何も知らず歓ぶ帝を見るにつけ源氏の心は暗かった。その懊悩を野遊びに晴らそうとした源氏は、常陸官の姫末摘花と逢いその女らしいもてなしにうさを晴らしていた。その頃、葵の上は姙り産み月を待っていた。葵祭りの日、葵の上の牛車は六条の御息所の網代車に追突、相手の車のナガエを折ってしまった。口惜しさと憤りに六条の御息所は、生霊となって葵の上を襲った。葵の上は男子誕生と共に死んだ。悲しみにひたる源氏に、またまた父の帝が崩御し、朱雀帝が即位した。源氏は娘の紫の成長を慰めとして日々を送るようになった。今では新帝の妃となった。朧月夜は、一夜の源氏との交情を忘れることができなかった。大胆にも藤壷の館に忍ぶ源氏を目敏く見つけるや、几帳の中に引入れ藤壷に近づくのは身の破滅だと囁いた。この二人の交歓を弘徽殿の女御が発見した。女御の知らせでこれを知った朱雀帝は憤然とした。源氏は新帝からの通達によって須磨明石へ移されることになった。
主演：若尾文子,山村聪,藤卷润,弗兰克堺,山茶花究,山冈久乃,目黒幸子,上田吉二郎,绀野由佳,村田知荣子
导演：川岛雄三
简介：靖國神社太鼓之音穿越花街，在妓院的和室間迴盪。戰後孤兒小圓修練聲色藝，殷勤接待各式各樣的恩客：儒雅建築師、耿直壽司師傅，少不了也有猥瑣老頭；安身立命，當上建築師妾侍亦甘之如飴。男人在身邊離離去去，她的身與心彷彿也逐漸得到解放，發現不曾認識的自己。首個鏡頭已先聲奪人，川島雄三以切割構圖、顛覆鏡頭及黑色幽默，為日本戰後的頹敗社會顯影，亦為女性雕琢出自主輪廓。若尾文子綻放艷麗無垢的光芒，三十五襲華衣美服目不暇給，細膩演繹「那個她」到「這個我」的微妙蛻變；最後獨自佇望登山索道，竟散發點點安東尼奧尼鏡頭下蒙妮卡維蒂的味道。 （香港夏日電影節）電影旬報最佳女演員東京記者協會藍絲帶獎最佳女演員
主演：杰瑞·刘易斯,海伦·特劳贝尔,帕特·斯坦利,凯瑟琳·弗里曼,乔治·拉夫特,哈里·詹姆斯,马蒂·因格斯,Buddy,Lester,格洛里亚·吉恩,奥佩·霍利迪,杰克·拉拉尼,Westbrook,Van,Voorhis,Sylvia,Lewis,埃迪·基扬,Dee,Arlen,罗斯科·阿蒂斯,Francesca,Bellini,杰克·克鲁申,亚历克斯·格里,帕特里夏·布莱尔,Doodles,Weaver,Lillian,Briggs,玛丽安娜·加巴,凯琳·卡普希纳,玛丽·拉罗什,安麦克雷,马德琳·鲁,Shei
导演：杰瑞·刘易斯
简介：赫伯特的女朋友离开他之后，赫伯特非常沮丧，开始找工作。他终于在一个大房子里找到了一个，里面住着许多女人。他能和所有这些女人住在同一个家吗？
主演：柯克·道格拉斯,Barbara,Rütting,克里斯汀·考夫曼,E.G.马绍尔
导演：戈特弗里德·赖因哈特
简介：In 1960 Germany, Army lawyer Major Steve Garrett is assigned to defend four American soldiers charged with raping 16 year-old Karin Steinhof. She was swimming in a nearby river when the four of them came across her and they were soon arrested thereafter. Maj. Garrett is anything but impressed with his clients but his job is to give them the best defense possible. He tries to obtain a plea bargain but Karin's father flatly refuses and the prosecutor, Colonel Jerome Pakenham, is seeking the death penalty. In order for the death penalty to be applied, the defense attorney must have the opportunity to thoroughly examine the victim under oath. He sympathizes with Karin and does his best to convince Karin father to keep her from testifying. When he refuses, Garrett is left will little choice but to attack her on the stand. Written by garykmcd
主演：丹尼斯·霍珀,卢安娜·安德斯,琳达·劳森
导演：柯蒂斯·哈灵顿
简介：On leave in a shore side town, Johnny becomes interested in a young dark haired woman. They meet and he learns that she plays a mermaid in the local carnival. After strange occurrences, Johnny begins to believe that she may actually be a real mermaid that habitually kills during the cycle of the full moon.
主演：沃伦·比蒂,娜塔莉·伍德,奥黛丽·克里斯蒂,帕特·亨格尔,芭芭拉·洛登,佐拉·兰帕特,弗雷德·斯图尔特,乔安娜·鲁斯,约翰·麦戈文,Jan,Norris,马蒂娜·巴特利特,加里·洛克伍德,桑迪·丹尼斯,克丽丝特尔·菲尔德,玛拉·亚当斯
导演：伊利亚·卡赞
简介：故事发生在堪萨斯州的南部小城中，巴德（沃伦·比蒂 Warren Beatty 饰）是一个满脑子都是奇思妙想的高中生，一次偶然中，他邂逅了名为蒂尼（娜塔利·伍德 Natalie Wood 饰）的女孩。蒂尼的美丽和温柔深深的吸引着巴德，令他坠入了情网，巴德甚至在内心里暗暗的 发誓，此生一定要将蒂尼娶回家。然而，在民风保守的小镇上，这两个年轻人之间的恋情很快就遭到了双方家人的强烈反对，他们都对这两颗真挚的心嗤之以鼻。在一连串的波折和打击之下，自暴自弃的巴德竟然和蒂尼的同学（奥黛丽·克里斯蒂 Audrey Christie 饰）上了床。得知了此消息，蒂尼的精神崩溃了。
主演：伦佐里奇,保罗·斯托帕,弗朗科·英特朗吉,乔瓦娜·拉利,蒂娜·露易丝
导演：罗伯托·罗西里尼
简介：The film shows how Italy's historic national hero Giuseppe Garibaldi (embodied by Renzo Ricci) leads a military campaign known as Expedition of the Thousand in 1860 and conquers Sicily and Naples. When the Bourbon monarchy has left Southern Italy, he supports Victor Emmanuel II of Italy who achieves a lasting unification under the aegis the House of Savoy.Roberto Rossellini stated he was very more proud of this film than of any other film he ever made.
主演：Andrzej,Banaszewski,Beata,Barszczewska,马里乌什·德莫霍夫斯基
导演：斯坦尼斯拉夫·罗泽维格
简介：In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."The principle of composition of "Birth Certificate" is not obvious. When watching a novella film, we tend to think in terms of traditional theatre. We expect that a miniature story will finish with a sharp point; the three film novellas in Rozewicz's work lack this feature. We do not know what will be happen to the boy making his alone through the forest towards the end of "On the Road". We do not know whether in "Letter from the Camp", the help offered by the small heroes to a Soviet prisoner will rescue him from the unknown fate of his compatriots. The fate of the Jewish girl from "Drop of Blood" is also unclear. Will she keep her new impersonation as "Marysia Malinowska"? Or will the Nazis make her into a representative of the "Nordic race"? Those questions were asked by the director for a reason. He preceived war as chaos and perdition, and not as linear history that could be reflected in a plot. Although "Birth Certificate" is saturated with moral content, it does not aim to be a morality play. But with the immense pressure of reality, no varient of fate should be excluded. This approached can be compared wth Krzysztof Kieslowski's "Blind Chance" 25 years later, which pictured dramatic choices of a different era.The film novella "On the Road" has a very sparing plot, but it drew special attention of the reviewers. The ominating overtone of the war films created by the Polish Film School at that time should be kept in mind. Mainly owing to Wajda, those films dealt with romantic heritage. They were permeated with pathos, bitterness, and irony. Rozewicz is an extraordinary artist. When narrating a story about a boy lost in a war zone, carrying some documents from the regiment office as if they were a treasure, the narrator in "On the Road" discovers rough prose where one should find poetry. And suddenly, the irrational touches this rather tame world. The boy, who until that moment resembled a Polish version of the Good Soldier Schweik, sets off, like Don Quixote, for his first and last battle. A critic described it as "an absurd gesture and someone else could surely use it to criticise the Polish style of dying. ... But the Rozewicz brothers do no accuse: they only compose an elegy for the picturesque peasant-soldier, probably the most important veteran of the Polish war of 1939-1945." "Birth Certificate" is not a lofty statement about national imponderabilia. The film reveals a plebeian perspective which Aleksander Jackieqicz once contrasted with those "lyrical lamentations" inherent in the Kordian tradition. However, a historical overview of Rozewicz's work shows that the distinctive style does not signify a fundamental difference in illustrating the Polish September. Just as the memorable scene from Wajda's "Lotna" was in fact an expression of desperation and distress, the same emotions permeate the final scene of "Birth Certificate". These are not ideological concepts, though once described as such and fervently debated, but rather psychological creations. In this specific case, observes Witold Zalewski, it is not about manifesting knightly pride, but about a gesture of a simple man who does not agree to be enslaved.The novella "Drop of Blood" is, with Aleksander Ford's "Border Street", one of the first narrations of the fate of the Polish Jews during the Nazi occupation. The story about a girl literally looking for her place on earth has a dramatic dimension. Especially in the age of today's journalistic disputes, often manipulative, lacking in empathy and imbued with bad will, Rozewicz's story from the past shocks with its authenticity. The small herione of the story is the only one who survives a German raid on her family home. Physical survial does not, however, mean a return to normality. Her frightened departure from the rubbish dump that was her hideout lead her to a ruined apartment. Her walk around it is painful because still fresh signs of life are mixed with evidence of annihilation. Help is needed, but Mirka does not know anyone in the outside world. Her subsequent attempts express the state of the fugitive's spirits - from hope and faith, moving to doubt, a sense of oppression, and thickening fear, and finally to despair.At the same time, the Jewish girl's search for refuge resembles the state of Polish society. The appearance of Mirka results in confusion, and later, trouble. This was already signalled by Rozewicz in an exceptional scene from "Letter from the Camp" in which the boy's neighbour, seeing a fugitive Russian soldier, retreats immediately, admitting that "Now, people worry only about themselves." Such embarassing excuses mask fear. During the occupation, no one feels safe. Neither social status not the aegis of a charity organisation protects against repression. We see the potential guardians of Mirka passing her back and forth among themselves. These are friendly hands but they cannot offer strong support. The story takes place on that thin line between solidarity and heroism. Solidarity arises spontaneously, but only some are capable of heroism. Help for the girl does not always result from compassion; sometimes it is based on past relations and personal ties (a neighbour of the doctor takes in the fugitive for a few days because of past friendship). Rozewicz portrays all of this in a subtle way; even the smallest gesture has significance. Take, for example, the conversation with a stranger on the train: short, as if jotted down on the margin, but so full of tension. And earlier, a peculiar examination of Polishness: the "Holy Father" prayer forced on Mirka by the village boys to check that she is not a Jew. Would not rising to the challenge mean a death sentance?Viewed after many years, "Birth Certificate" discloses yet another quality that is not present in the works of the Polish School, but is prominent in later B-class war films. This is the picture of everyday life during the war and occupation outlined in the three novellas. It harmonises with the logic of speaking about "life after life". Small heroes of Rozewicz suddenly enter the reality of war, with no experience or scale with which to compare it. For them, the present is a natural extension of and at the same time a complete negation of the past. Consider the sleey small-town marketplace, through which armoured columns will shortly pass. Or meet the German motorcyclists, who look like aliens from outer space - a picture taken from an autopsy because this is how Stanislaw and Taduesz perceived the first Germans they ever met. Note the blurred silhouettes of people against a white wall who are being shot - at first they are shocking, but soon they will probably become a part of the grim landscape. In the city centre stands a prisoner camp on a sodden bog ("People perish likes flies; the bodies are transported during the night"); in the street the childern are running after a coal wagon to collect some precious pieces of fuel. There's a bustle around some food (a boy reproaches his younger brother's actions by singing: "The warrant officer's son is begging in front of the church? I'm going to tell mother!"); and the kitchen, which one evening becomes the proscenium of a real drama. And there are the symbols: a bar of chocolate forced upon a boy by a Wehrmacht soldier ("On the Road"); a pair of shoes belonging to Zbyszek's father which the boy spontaneously gives to a Russian fugitive; a priceless slice of bread, ground under the heel of a policeman in the guter ("Letters from the Camp"). As the director put it: "In every film, I communicate my own vision of the world and of the people. Only then the style follows, the defined way of experiencing things." In Birth Certificate, he adds, his approach was driven by the subject: "I attempted to create not only the texture of the document but also to add some poetic element. I know it is risky but as for the merger of documentation and poety, often hidden very deep, if only it manages to make its way onto the screen, it results in what can referred to as 'art'."After 1945, there were numerous films created in Europe that dealt with war and children, including "Somewhere in Europe" ("Valahol Europaban", 1947 by Geza Radvanyi), "Shoeshine" ("Sciescia", 1946 by Vittorio de Sica), and "Childhood of Ivan" ("Iwanowo dietstwo" by Andriej Tarkowski). Yet there were fewer than one would expect. Pursuing a subject so imbued with sentimentalism requires stylistic disipline and a special ability to manage child actors. The author of "Birth Certificate" mastered both - and it was not by chance. Stanislaw Rozewicz was always the beneficent spirit of the film milieu; he could unite people around a common goal. He emanated peace and sensitivity, which flowed to his co-workers and pupils. A film, being a group work, necessitates some form of empathy - tuning in with others.In a biographical documentary about Stanislaw Rozewicz entitled "Walking, Meeting" (1999 by Antoni Krauze), there is a beautiful scene when the director, after a few decades, meets Beata Barszczewska, who plays Mireczka in the novella "Drops of Blood". The woman falls into the arms of the elderly man. They are both moved. He wonders how many years have passed. She answers: "A few years. Not too many." And Rozewicz, with his characteristic smile says: "It is true. We spent this entire time together."
主演：Sal,Ponti,Joyce,Taylor,John,Dall
导演：George,Pal
简介：一个希腊渔民救起了一位公主，原来她是来自科技高度发达的亚特兰蒂斯，并送其返回祖国，希望能够得到奖赏，然而却被囚禁，成为劳工。国王被一个邪恶的巫师操纵，企图使用亚特兰蒂斯的某种自然资源来征服世界。亚特兰蒂斯人，确切地说是亚特兰蒂斯的奴隶，被迫开采一种能够吸收太阳射线的水晶矿物，制造出可以发射热线的武器。由于腐朽和道德沦丧，国家已经处于毁灭前夕。疯狂科学家在实验室里将奴隶变成怪物，男主角为了争取自由，不得不在观众们的欢呼下与巨人搏斗，最后通过智取战胜了巨人。大毁灭即将到来，鸟兽纷纷逃离，在一个仁慈友善灵性高尚的大祭司的帮助下，男主角从巫师的魔咒中救出了公主，并在亚特兰蒂斯最后的大毁灭前逃脱。大祭司与巫师搏斗之时，水晶武器失去控制，最终将二人一同摧毁。地震，海啸，火山，幸存者逃至世界其他地方，用神话将亚特兰蒂斯的故事流传下去。
主演：周信芳
导演：应云卫,杨小仲
简介：杰出的京剧表演艺术家周信芳(麒麟童)，在他60年来的舞台实践中，继承和发展了京剧艺术现实主义的优秀传统，形成了独特的艺术流派——麒派。本片是周信芳代表作中的两个剧目。 一、《徐策跑城》 演员：周信芳(徐策)、汪志奎(薛刚)、何峰(薛蛟)、郭仲钦(薛葵)、冯月霞(纪鸾英)陆正声(家院)《徐策跑 ... 城》是民间传说“薛家将”中的一折。 唐代，薛仁贵的后代薛丁山遭到奸臣张泰等人的陷害，被满门抄斩。徐策同情薛家的遭遇，心中十分感慨。在行刑前，徐策用自己的孩子换下薛猛的孩子薛蛟，并将他抚养成人。一日，徐策让薛蛟到韩山下书，约同他的三叔父薛刚和三婶母纪鸾英发兵为薛家报仇。徐策得知薛刚率领人马来到长安时，不顾自己年迈体弱，亲自上城观望，并打开城门欢迎他们。薛家兵欲杀人紫禁城，报仇血恨。徐策考虑到江山社稷的安定，便当面应允为薛刚、薛蛟亲自上殿奏本，请求皇上杀死奸...
主演：迈克尔·克雷格,琼·格林伍德
导演：赛·恩菲尔德
简介：During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen <clamencs.cmu.edu>In 1865, during the siege of Richmond, Virginia, the union soldiers POW Captain Harding, Neb and Herbert escape in a balloon during a storm with two confederate prisoners, Sergeant Pencroft and the journalist Spilett. The uncontrollable wind takes the balloon to a mysterious island in the South Pacific in the area of New Zealand. Captain Harding self-proclaims the leader of the group and they look for food; sooner they discover that they are stranded in an island. Further, they are attacked by a giant crab that becomes their first meal. Along the days, they build a shelter and finds that the island is inhabited by giant animals. A couple of days later, they find two castaways on the beach, the aristocratic Lady Mary Fairchild and her sexy niece Elena. Later they find a trunk with weapons and instruments like sextant and shelter with a journal of a man left alone in the island by pirates. When the pirate vessel arrives in the island, they are helped by Captain Nemo of the Nautilus, a submarine that had supposedly sunk in the coast of Mexico eight years ago. Nemo is famous as the man that tried to end strike among man. When the volcano begins activity, they need to leave the island to save their lives. Written by Claudio Carvalho, Rio de Janeiro, Brazil
主演：苏珊·斯塔丝伯格,罗纳德·刘易斯,安·托德,克里斯托弗·李,John,Serret,Leonard,Sachs,Anne,Blake,Fred,Johnson,Heinz,Bernard,Bernard,Browne,Rodney,Burke,Brian,Jackson,Richard,Klee,Madame,Lobegue,Frederick,Rawlings
导演：Seth,Holt
简介：佩妮（苏珊·斯塔丝伯格 Susan Strasberg 饰）的父母在她很小的时候就离婚了，一直以来，佩妮都跟着母亲生活。一场意外夺走了母亲的生命，于是，孤苦无依的佩妮接受了父亲的邀请，前去和父亲以及继母一起生活。然而到了父亲家，佩妮却发现在那里的只有继母一人，虽然这个女人表现得非常的和善与热情，但佩妮还是对她充满了戒备。继母家里发生的各种诡异的事情，以及始终下落不明的父亲让佩妮的神经越来越紧张，渐渐地，她开始分不清，在这里经历的一切，究竟是不是自己的幻觉。很显然，继母也希望佩妮产生这让的自我怀疑。
主演：比尔·特拉弗斯,威廉姆·西尔维斯特,文森特·温特,Christopher,Rhodes,约瑟夫·奥康纳,布鲁斯·西顿,马丁·本森,莫里斯·考夫曼,瓦西里·迪格纳穆
导演：欧仁·卢里耶
简介：50年代，美国拍了《原子怪兽》，日本拍了《哥斯拉》，50年代末期英国又趁热打铁拍了《海底巨兽》。1961年又和米高梅合拍了《巨兽格果》。《巨兽格果》不像其他怪兽电影那样，怪兽开头都是神龙见首不见尾，最后城市大战时露个全身。本片中怪兽破坏的镜头完完全全的展现在观众面前，拆了伦敦塔桥，还推到了大本钟。最后全凭两双大脚一路踩爆房屋，砖瓦四溅，相当过瘾。本片讲述了人类抓到了一只可爱的小怪兽——格果，然后把它关进马戏团里，哪知道后来把怪兽老娘惹来了…
主演：莱斯莉·卡伦,莫里斯·舍瓦利耶,查尔斯·博耶,霍斯特·布赫霍尔茨,若尔热特·阿尼斯,萨尔瓦托雷·巴卡洛尼,莱昂内尔·杰弗里斯,雷蒙·比西埃尔,若埃尔·弗拉托,维克托·弗兰森,保罗·博尼法
导演：乔舒亚·洛根
简介：马吕斯（豪斯特·巴奇霍兹 Horst Buchholz 饰）是一个十九岁的年轻人，这个年纪的人往往会对未来充满了期望和希冀，但是马吕斯和他们不同，马吕斯的父亲经营着一家咖啡馆，而马吕斯之后的人生，几乎都被他的父亲给规划好了。马吕斯渴望大海，希望能够做一名自由自在航行的水手，经历了种种的波折和挫折后，马吕斯总算即将实现他的梦想了。可是，在出海的前一天，一个名叫芳妮（莱斯利·卡伦 Leslie Caron 饰）的女孩向马吕斯吐露了爱意，马吕斯也同样非常的喜欢芳妮，在这个女孩和自己的梦想之剑，他必须要做出选择。而芳妮同样也面临选择，她是否该放弃自己的爱情，成全所爱的男孩呢？
主演：阿尔克塞,黄忠,吐儿地·木莎
导演：欧凡
简介：维吾尔族青年诗人、共产党员黎木特里的传记片。 1939年，维吾尔族青年诗人黎•木特里夫在新疆省立师范学校读书时，在地下共产党员杨校长的启发和影响下，写诗宣传抗日。特别是到新疆日报社工作以后，他的文学创作取得很大进步。当时，抗日烽火燃遍祖国各地，反对日本帝国主义成了中国各族人民的迫切任务。他的《中国》、《爱与恨》、《战斗的姑娘》等许多诗篇，都充分体现了他对祖国的热爱和中国共产党反对日本帝国主义侵略坚决抗战反对投降的主张，他以满腔热情歌颂了为祖国解放事业而战斗的英雄们，并号召各族人民积极投入这如火如荼的斗争。1941年“皖南事变”后，新疆统治者反动军阀盛世才积极充当国民党反动派的急先锋，大肆屠杀、逮捕共产党人及进步人士，杨校长不幸被捕。黎•木特里夫也受到监视，在万分压抑和愤怒之中，他离开乌鲁木齐转移到南疆的阿克苏。到阿克苏后，他继续从事报纸和戏剧工作，培...
主演：尤敏,葛兰,叶枫
导演：易文
简介：朱兰早与富家子徐坚白（张扬）相恋。朱兰自幼父母双亡，由叔婶养大，但叔婶却因贪财而将她许配予同村的军人李志忠（朱牧）。坚白在外地求学，假期回乡与兰每晚相聚，被人发现，李志忠的父母闻讯，要求退婚，叔父（吴家骧）怒掴兰，被志忠阻拦，兰感动不已。
主演：尤敏,葛兰,叶枫
导演：易文
简介：抗日战争爆发，徐坚白 (张扬) 仍沉醉儿女私情， 史亚南 (叶枫) 下嫁给他， 南离开坚白前往投军。 那边厢， 兰 (尢敏) 加入战地救护队， 秋明则加入劳军歌舞团。 兰在战地上救回差点被当成阵亡士兵的坚白。 兰知道坚白心系于亚南， 竟往访后者， 要求她探望坚白， 与此同时， 她自己的病情也急转直下……
主演：沙莉,孙景璐,宏霞,齐衡,铁牛,吴茵
导演：林杨
简介：1950年代未期，上海。区领导决定在和平里创办民校，并请初中生秀华（宏霞 饰）和解放后脱盲的顾三娟（沙莉 饰）担任老师。此事一经公布，不少人对上级的决定感到不解，就连里弄文教主任（齐衡 饰）也认为她们办不好学校。自知文化底子差的三娟没有气馁，她聘请师范毕业生赵玲（孙景路 饰）到学校任教，以期加强师资力量。秀华与赵玲因体罚调皮学生姚阿根（陈士南 饰）发生严重争执，双双撂了挑子，三娟用潜移默化的影响感动了她们，学校教学逐步走向正轨。不久，阿根因同学大宝说老师坏话与其打架逃走，三娟连夜冒雨寻找，当在工地找到阿根后问明原由，三娟深有感触......
主演：埃尔维斯·普雷斯利,琼·布拉克曼,安吉拉·兰斯伯瑞
导演：诺曼·陶罗格
简介：Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great Southern Hawaiian Fruit Company, but Chad is reluctant. So Chad goes to work as a tour guide at his girlfriend's agency. Written by Pat McCurry {ccgrad97aol}
主演：阿尔贝托·索尔迪,维托里奥·加斯曼,阿努克·艾梅,费南代尔,尼诺·曼弗雷迪,西尔瓦娜·曼加诺,玛丽娜·墨蔻莉,利诺·文图拉
导演：维托里奥·德西卡
简介：In Naples, a voice from the skies announces one morning that the final judgment will be at 6 p.m. on that day. What follows is a series of vignettes depicting various people's reactions (or lack there of) to the announcement.
主演：尤嘉,徐志骅,上官云珠,钱千里,刘鸿声
导演：郑君里
简介：解放前，江西血吸虫病肆虐，方老爹（钱千里 饰）、方妈妈（上官云珠 饰）一家逃难来到浙江，怎知这里也是该病重灾区。不久，方老爹病死异乡，儿子冬哥（徐志骅 饰）被抓丁，童养媳苦妹子（尤嘉 饰）无奈之下另嫁他人。解放后，党和政府为了根治血吸虫，成立了血防站，并从上海派来医生指导群众群防群治。此时苦妹子的丈夫已患病死去，她自己也患了病，在血防站意外重逢失散多年的冬哥，两人述说离别之苦，冬哥对她的遭遇充满同情。方妈妈也终于见到失散十年的苦妹子，当知苦妹子患了血吸虫病，她十分揪心，因担心儿子也被感染，她劝儿子离开此地，但善良的冬哥不愿放弃他深爱着的苦妹子。毛主席视察病区后，全国组织有关行业下大气力,采取标本兼治，苦妹子有救了......